
by Josh Hellyer
A genre-defying masterpiece that marries farce and suspense with soul. Equal parts intrigue and elegy, The Split Pea Tango is a haunting dance between truth and forgiveness.
It’s not often that a novel can be simultaneously devastating, hilarious, and deeply humane—but The Split Pea Tango manages all three with astonishing precision. A genre-defying blend of thriller, satire, and character study, this sprawling, emotionally intelligent story delivers both the adrenaline rush of a mystery and the introspection of literary fiction. It’s as if Tinker Tailor Soldier Spy had been rewritten by Phoebe Waller-Bridge after a late-night binge of Arrested Development.
On the surface, the story follows a small, unlikely team investigating the supposed reincarnation of a long deceased former guest of Highclere Inn & Carriage House. But at its heart, The Split Pea Tango is about families: the ones we’re born into, the ones we build, and the ghosts we inherit whether we want them or not.
The ensemble cast is the novel’s greatest strength. Cordelia “Cici” Bradshaw, a journalist whose instincts oscillate between razor-sharp and self-sabotaging, anchors the story with dry wit and quiet ferocity. Mason Valentine, her sarcastic, wounded cousin at her side, provides both heart and chaos—his gallows humor disguising a deep capacity for compassion. Skye Cadieux, ever pragmatic yet spiritual, balances the chaos with calm intelligence. Each character feels alive, textured, and capable of surprising you on every page.
Then there are the villains—or rather, the broken architects of the story’s rot, who are drawn with nuance and complexity, avoiding the clichés of pure evil. The final confrontation is a masterpiece of tension and tragic beauty. It’s as if Shakespeare’s Lear met a modern spy thriller and both came away scorched.
Yet what makes The Split Pea Tango exceptional isn’t just its emotional weight—it’s the tone. The author has a gift for weaving absurd humor into even the darkest moments. The infamous “Milk from Granny” scene, the surreal image of Mason hallucinating a frog amid destruction, and the snappy one-liners exchanged under the threat of death all underscore a truth the novel never lets you forget: that laughter, no matter how inappropriate, is a form of survival.
Structurally, the novel is ambitious but rewarding. Its pacing alternates between farce, breathless action and moments of quiet reflection, yet it never loses momentum. The language is lush without being overwrought; the dialogue sharp without descending into parody. Even the occasional digressions—academic or philosophical—feel purposeful, reinforcing the book’s exploration of memory, identity, and moral inheritance.
And then comes the ending. Without spoiling the surprise, it’s both gutting and strangely life-affirming. Hellyer resists the easy resolution, instead offering a meditation on what it means to live after truth has destroyed your illusions. The final scene in the bakery, quiet and aching, ties the book’s sprawling themes into a single human heartbeat.